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Essays on the pre raphaelites

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Pre-Raphaelite paintings are today seen as uncomplicatedly beautiful images. But when they were first painted in the mid 19th century, they were regarded as assaults on the eye, objectionable in terms of their realism and morally shocking. Charles Dickens was one of the disapproving critics. Whereas other artists tended to idealise religious figures, the Pre-Raphaelites painted them with unprecedented realism, detailing peculiarities of physiognomy and character, so people read them in terms of the model rather than in terms of the person that particular model was impersonating. The Pre-Raphaelites were self-publicists, seeking controversy and attention.
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The Pre-Raphaelite Brotherhood

Essays on the pre raphaelites
Essays on the pre raphaelites
Essays on the pre raphaelites
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Why were the Pre-Raphaelites so shocking? – Essay | Tate

The Pre-Raphaelites were a loose and baggy collective of Victorian poets, painters, illustrators and designers whose tenure lasted from to roughly the turn of the century. Drawing inspiration from visual art and literature, their work privileged atmosphere and mood over narrative, focusing on medieval subjects, artistic introspection, female beauty, sexual yearning and altered states of consciousness. Generally devoid of the political edge that characterised much Victorian art and literature, Pre-Raphaelite work nevertheless incorporated elements of 19th-century realism in its attention to detail and in its close observation of the natural world. Their aims were vague and contradictory, even paradoxical, which was only to be expected from a youthful movement made up of strong-minded individuals who sought to modernise art by reviving the practices of the Middle Ages. The Royal Academy Exhibition inaugurated what would remain an antagonistic relationship between establishment critics and the Pre-Raphaelites. Literature was always as important as fine art to the Pre-Raphaelites; their paintings are often inspired by subjects from the bible, medieval romances, Arthurian legends, Ovid, Chaucer and Shakespeare. However, it is in their relationship to contemporary poetry that their avant-garde spirit is indisputably evident.
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The Timeless Pre-Raphaelite Art Model: Alexa Wilding

The Pre-Raphaelite movement was like the re-birth of the Renaissance Era, which approximately began in Invented by a group of 3 people, the movement focused on poetry and writing as well as paintings, an accurate view of nature, and depicted physiological and social tension, religion and color. The Pre-Raphaelite movement focused.
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Revolutionary movements, such as the Chartist demonstration and the fall of the Second Empire in France, paved the way for new ideologies. The Pre-Raphaelites were inspired by the changing atmosphere of the times and through their art attempted to introduce emotion, realism and originality back into British painting. Standing out amongst the female poets and playing a lead role in a revolutionary movement was Christina Rossetti.
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